compositionalparadigm (part ii)

i. L’Empire de Flore, 1631
ii. San Marco libera uno schiavo, 1548
iii. Bacio di Giuda / the Cock (Kiss), 1306/2002
iv. Rinaldo et Armida,1630
v. Noli me tangere, 1514
vi. Ritratto di Cosimo I de’ Medici , 1537
vii. Caprice in Purple and Gold: The Golden Screen, 1864
viii. Christina’s World, 1948
ix. Les Parasols, 1906
x. Sposalizio della Vergine, 1306

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28 Sep This entry was published on 28/09/2023 at 23:57. It’s filed under Painting and tagged Christopher Marc Ford, colour, composition, painting. Bookmark the permalink. Follow any comments here with the RSS feed for this post.